Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Andrea del Sarto
Christ of Kisalin-s wedding

ID: 53238

Andrea del Sarto Christ of Kisalin-s wedding
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Andrea del Sarto Christ of Kisalin-s wedding


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Andrea del Sarto

b.July 16, 1486, Florence d.Sept. 28, 1530, Florence Italian Andrea del Sarto Galleries Andrea del Sarto (1486 ?C 1531) was an Italian painter from Florence, whose career flourished during the High Renaissance and early-Mannerism. Though highly regarded by his contemporaries as an artist "senza errori" (i.e., faultless), he is overshadowed now by equally talented contemporaries like Raphael. Andrea fell in love with Lucrezia (del Fede), wife of a hatter named Carlo, of Recanati; the hatter dying opportunely, Andrea married her on 26 December 1512. She has come down to us in many a picture of her lover-husband, who constantly painted her as a Madonna and otherwise; even in painting other women he made them resemble Lucrezia. She was less gently handled by Giorgio Vasari, a pupil of Andrea, who describes her as faithless, jealous, and vixenish with the apprentices; her offstage character permeates Robert Browning's poem-monologue "Andrea del Sarto called the 'faultless painter'" (1855) . He dwelt in Florence throughout the memorable siege of 1529, which was soon followed by an infectious pestilence. He caught the malady, struggled against it with little or no tending from his wife, who held aloof, and he died, no one knowing much about it at the moment, on 22 January 1531, at the comparatively early age of forty-three. He was buried unceremoniously in the church of the Servites. His wife survived her husband by forty years. A number of paintings are considered to be self-portraits. One is in the National Gallery, London, an admirable half-figure, purchased in 1862. Another is at Alnwick Castle, a young man about twenty years, with his elbow on a table. Another youthful portrait is in the Uffizi Gallery, and the Pitti Palace contains more than one.  Related Paintings of Andrea del Sarto :. | St James | Beweinung Christi | Kind | Maria mit Kind und Johannesknaben | The Last Supper (detail) ii |
Related Artists:
Alfred William Hunt,RWS
1830-1896
Jasper Francis Cropsey
(February 18, 1823 - April 23, 1900) was an important American landscape artist of the Hudson River School. Cropsey was born on his father Jacob Rezeau Cropsey's farm in Rossville on Staten Island, New York, the oldest of eight children. As a young boy, Cropsey had recurring periods of poor health. While absent from school, Cropsey taught himself to draw. His early drawings included architectural sketches and landscapes drawn on notepads and in the margins of his schoolbooks. Trained as an architect, he set up his own office in 1843. Cropsey studied watercolor and life drawing at the National Academy of Design under the instruction of Edward Maury and first exhibited there in 1844. A year later he was elected an associate member and turned exclusively to landscape painting; shortly after he was featured in an exhibition entitled "Italian Compositions." Cropsey married Maria Cooley in May 1847, traveled in Europe from 1847-1849, visiting England, France, Switzerland, and Italy. He was elected a full member of the Academy in 1851. Cropsey was a personal friend of Henry Tappan, the president of the University of Michigan from 1852 to 1863. At Tappan's invitation, he traveled to Ann Arbor in 1855 and produced two paintings, one of the Detroit Observatory, and a landscape of the campus. He went abroad again in 1855, and resided seven years in London, sending his pictures to the Royal Academy and to the International exhibition of 1862. Returning home, he opened a studio in New York and specialized in autumnal landscape paintings of the northeastern United States, often idealized and with vivid colors. Cropsey co-founded, with ten fellow artists, the American Society of Painters in Water Colors in 1866. He resided in the City until 1885, when he removed to Hastings-on-Hudson. The monument of Jasper Francis Cropsey in Sleepy Hollow CemeteryCropsey's home and studio, Ever Rest, in Hastings-on-Hudson, New York as well as the largest permanent collection of Cropsey's work are open for tours by the Newington-Cropsey Foundation. Jasper Cropsey died in anonymity but was rediscovered by galleries and collectors in the 1960s. Today, Cropsey's paintings are found in most major American museums, including the National Gallery of Art, the Metropolitan Museum of Art, the Los Angeles County Museum of Art, the Detroit Institute of Arts, the Timken Museum of Art in San Diego, the Honolulu Academy of Arts, the Fine Arts Museums of San Francisco, the Denver Art Museum, and the Museum of Fine Arts, Boston. Works by Cropsey also hang in the White House.
Loo, Jacob van
Flemish Baroque Era Painter, 1614-1670 was a Dutch painter and popularized around 1650 a close-focus concert on a loggia or terrace. So Van Loo became known for his conversation groupings with a subtle color palette, and according to Arnold Houbraken famous for his nudes. He was the founder of the Van Loo family of painters. Van Loo was born in Zeeland in the Dutch Republic. His father might have been a notary, but most time he is regarded as the son of a painter, Jan van Loo, who trained him. (As part of the city archives in Sluis have been destroyed during World War II it is impossible now to make out what is true). His early influences include Thomas de Keyser and Jacob Adriaensz Backer. In 1642, Jacob moved to Amsterdam, where his contemporaries included Rembrandt, Frans Hals, and Bartholomeus van der Helst. In 1643 he married the sister of the painter Martinus Lengele and had six children. They lived on Rozengracht, in the Jordaan and Eglon van der Neer became one of his pupils. In 1660, Van Loo fled the city after having fatally stabbed someone in his belly, during a fight in an inn. He was sentenced to death in absentia and was forever banned from the state of Holland. Van Loo settled in Paris, where he was admitted to the Acad??mie de peinture et de sculpture and where he died in 1670. Van Loo's work was done in the Baroque style, which had begun in Rome and which was becoming a Europe-wide phenomenon in this period. He was a major influence on Johannes Vermeer, when painting Diana and Her Companions. He painted portraits of Johan Huydecoper van Maarssenveen, his wife, his sister Leonara Huydecoper, married to Jan J.






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